DidYouSeeMeEscaping wrote:It seems like for the most part, people at this point know which artists they should be wary of doing reprints when buying 1st editions at a premium.
Codeblue wrote:End thread.
DidYouSeeMeEscaping wrote:It seems like for the most part, people at this point know which artists they should be wary of doing reprints when buying 1st editions at a premium.
Codeblue wrote:End thread.
RupertPupkin wrote:I live by this rule and this rule alone: people are drymounting idiots.
Thing is a lot of people are also new to the game and don't know. Took me a while to find out myself. Almost got burned.Codeblue wrote:DidYouSeeMeEscaping wrote:It seems like for the most part, people at this point know which artists they should be wary of doing reprints when buying 1st editions at a premium.Codeblue wrote:End thread.
Like buying anything else, caveat emptor.Celsius wrote:Thing is a lot of people are also new to the game and don't know. Took me a while to find out myself. Almost got burned.Codeblue wrote:DidYouSeeMeEscaping wrote:It seems like for the most part, people at this point know which artists they should be wary of doing reprints when buying 1st editions at a premium.Codeblue wrote:End thread.
RupertPupkin wrote:I live by this rule and this rule alone: people are drymounting idiots.
That's so page 2.Codeblue wrote:Like buying anything else, caveat emptor.
wneff wrote:It is up to the buyer to decide whether a particular piece is worth the purchase price, based on a variety of factors, including the potential for follow-on editions.
The rules of collectingalteridiom wrote:None of this matters if you follow two simple rules:
1) Buy what you like.
2) Only pay what you comfortable paying for said piece of art.
I doubt EB wants to add a pride or butthurt meter to everyone's profilewneff wrote:I'd like to see some examples of reprints or follow-on editions that had a verifiable negative effect on the value of a first edition. Operative word is "verifiable". Everything else is speculation.
PLEASE NOTE: I know the spirit of EB is all warm & fuzzy, a place where the values of posters and prints are irrelevant, here where we bask in the sunshine of our collective goodness. But still...I'd like to see some examples.
Oof.wneff wrote:That's so page 2.Codeblue wrote:Like buying anything else, caveat emptor.
wneff wrote:It is up to the buyer to decide whether a particular piece is worth the purchase price, based on a variety of factors, including the potential for follow-on editions.
RupertPupkin wrote:I live by this rule and this rule alone: people are drymounting idiots.