Thanks, man.
I wish others felt the same...
NEWPORTS69 wrote:ive kept journal for very long time and ranked public restrooms because i srs hate using them, was working on an app but im not very smart
Hey Tim - Apologies for the late reply, and apologies to everyone else for reviving the now dead NFT discussion in this thread. I'd sort of forgotten about the wall of text I abandoned here last month.TimothyPDoyle wrote: ↑Sun Apr 24, 2022 5:22 amMy understanding, and forgive me if I'm incorrect- is that Tezos works well and has low miniting costs- mainly BECAUSE it is an unpopular currency? And if it did gain in popularity, that would strain the system, thereby recreating the nightmare situations that BitCoin and ETH have become?burlydesign wrote: ↑Wed Apr 20, 2022 11:48 am
I found something vastly unique in the community built around Tezos - a natively POS chain, with artists from all over the world as the backbone of its NFT community. The low cost to entry (minting costs pennies compared to hundreds on ETH) and purchase prices attracted artists and collectors, otherwise shunned by or turned off from the ETH platforms. It's most notable platform is hicetnunc.xyz - which was born in Brazil
Wow!burlydesign wrote: ↑Wed Jun 08, 2022 3:20 am
- The average carbon footprint for a person in the United States is 16 tons.
- One tweet is estimated to have a footprint of 0.2g CO2e. With 500 million tweets sent daily, a total of 10 tons of CO2 are emitted per day.
- Ethereum produces 16.2 Million tons of CO2 per year.
- Bitcoin is responsible for 114 Million tons of CO2 per year.
- Total Tezos carbon emissions per year: 53.79 tons
Codeblue wrote:#whydidntilisten2kbbq
I’ll do it for you..postulio wrote: ↑Fri Jul 29, 2022 5:24 pmi recently checked out the Nakatomi store to see what new was up. and was surprised that there's hardly anything new, but [re]prints of stuff from the last 10 years. Kind of annoyed me as well a surprised me, i found this thread by googlin' Time Doyle reprints. Sure i love the art, but i also love collecting it. If i thought everything that's released is an open edition or at least a rotating door or reprints, i wouldn't be so excited to buy it right away - and thats the whole point, of course.
I haven't bought a Doyle print in over a 10 years - and there are reprints of even those, and seeing this practice definitely ensures i won't be buying any more in the future.
The business model works for him and his family, I don't see similar backlash to Daniel Danger who's move towards a soft version of this in recent years (Daniel still does limited releases but has a range of prints that he does reprint or offer in different colourways and formats ) ( Tim does the same with like gig posters that are limited )postulio wrote: ↑Fri Jul 29, 2022 5:24 pmi recently checked out the Nakatomi store to see what new was up. and was surprised that there's hardly anything new, but [re]prints of stuff from the last 10 years. Kind of annoyed me as well a surprised me, i found this thread by googlin' Time Doyle reprints. Sure i love the art, but i also love collecting it. If i thought everything that's released is an open edition or at least a rotating door or reprints, i wouldn't be so excited to buy it right away - and thats the whole point, of course.
I haven't bought a Doyle print in over a 10 years - and there are reprints of even those, and seeing this practice definitely ensures i won't be buying any more in the future.