Fans of Michael Reeder

General art-related discussion.
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bulkhead72
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Sat Mar 02, 2019 3:32 pm

Protype print of “Bobby With the Big Hand.” This is a 16” x 24” giclee with a black border. Specs may change for the final version (assuming that it sees a release). Folks can look forward to additional print news (for a different image) in the near future.

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Last edited by bulkhead72 on Sat Mar 02, 2019 3:35 pm, edited 1 time in total.
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HenryGaleWasHere
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Sat Mar 02, 2019 3:35 pm

Sick piece!
Mjohnson541991
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Mon Mar 04, 2019 5:53 pm

Anyone trying to let go of any of Michael's older editions? PM please :)
Jamesebillings
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Tue Mar 05, 2019 3:55 pm

Hashimoto aside, can anyone recommend sites for grabbing Reeder's work. Please don't say eBay. Can't afford the secondary market so I'm hoping to grab something when it drops.
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bulkhead72
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Wed Mar 20, 2019 4:05 pm

Lithographs are brewing in Paris with Print Them All. Two versions of the largest print yet from Michael. Fans should be pleased with the price point once announced.

kansasbbq
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Wed Mar 20, 2019 9:11 pm

Spill the beans....

PTA ain't cheap.
Codeblue wrote:#whydidntilisten2kbbq
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xangelx
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Thu Mar 21, 2019 9:17 am

These look big.
"If I could fly high above the world, would I see a bunch of living dots spell the word stupidity" - Bad Religion
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bulkhead72
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Fri Mar 22, 2019 2:50 pm

Can't comment on the price until the official announcement, I am afraid. And yep, these are the largest prints from Michael, yet. I will say that if you dig Michael's prints/work, this will be the best year yet. :clap:
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mattlew69
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Fri Mar 22, 2019 4:09 pm

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fuckitgofishing
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Wed Apr 10, 2019 2:47 pm

New Lithos look Sweet! wish I could afford both, but I'm going to try and snag one.
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bulkhead72
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Mon Apr 15, 2019 7:56 pm

Last Gasp release details. Specs below are for each version, Blue and Red.

4 color lithographs printed via Marinoni press.
Size: 29.92" x 38.19"
Edition Size: 99
Signed, numbered and stamped.
Price: $550 each or $990 for the set of two prints.

Note that the white border pictured below will be trimmed. Edge to edge printing with hand deckled edges.


Drops on Tuesday, March 16, 9:00am PST at https://printthemall.com/shop/


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bootstrut
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Mon Apr 15, 2019 8:25 pm

Got my set locked in :pint:
CTnewguy
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Mon Apr 15, 2019 9:06 pm

bootstrut wrote:Got my set locked in :pint:
There are going to be like 20 sets for sale based on all the people who already have them locked in, tomorrow should be a disaster
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Codeblue
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Mon Apr 15, 2019 11:34 pm

It ain't like they weren't basically telling anyone who wanted a set to email them.
RupertPupkin wrote:I live by this rule and this rule alone: people are drymounting idiots.
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bulkhead72
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Mon Apr 15, 2019 11:52 pm

“The printing house is incredible, the amount of history is placed in every wall, in anything in this place: from the machines which are over hundreds years old and still operating to the old stones which are files, like an old library. The team who works here, everybody has his own function, it’s like a giant machine. To witness it and someone to be part of it is an extreme honor, I’m excited to be able to be, a little bit, a part of this huge history here.

I’m very pleased with the result of the prints. This is my first time outside of school from doing any kind of lithography. To be able to go fully in on and now is an incredible opportunity. You don’t get this opportunity everyday. Now, having gone through few editions, I have a stronger understanding and appreciation from what lithography offers aside from many other forms of printing and it definitely stands on its own. It offers so many beautiful subtlety and transparencies. I can’t wait to jump back in and try to bring back some ideas through my work.

That imagery is a part of a series based around the concept of ascension, the source of the release of the internal self and the separation of the external self, like the smoke, which is supposed to be representative of. In all my works, the graphics, figures and patterns elements are all supposed to be a part of that moment of separation from the 3D world and another around. That’s why there is this fusion of style in my work. I like that disconnected nature but it’s all together connected in a forming harmony.”

- Michael Reeder

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