Commission discussion
Mitchell's pulp portraits, Eng's recent work, fosdike, etc. Commissions are everywhere. Is it good for the hobby? Good for the artists? How will established companies respond, if at all? Share your thoughts on the commission boom. EB artists, please feel free to chime in as well.
mistersmith wrote: (an unlicensed Bad Boys 2 poster is probably the least essential use I can think of for a piece of paper. At least if you wipe your ass with some paper you will have cleaned up a mess).
To me, it means the established companies aren't giving the people the posters that people want. All these commissions seem to be movie posters with heavy use of likenesses. That's the trend I see at least.
Of course it's good for the artists, there is no middle man. They get to make a quick buck off the fanboys without anyone telling them no. They just have to be Ok with ripping off other peoples IP without any kind of compensation. This doesn't seem to be much of a problem.
Of course it's good for the artists, there is no middle man. They get to make a quick buck off the fanboys without anyone telling them no. They just have to be Ok with ripping off other peoples IP without any kind of compensation. This doesn't seem to be much of a problem.
No idea how it's affecting galleries. You could argue that it means less business for them, but on the other hand it might contribute to overall growth. Either way, I assume it's great for the artists. And while it seems like there are a ton of groups doing it now, I wonder about the sustainability. I'm surprised there haven't been more licensing issues, or maybe there have been but they've been kept quiet.
Personally? I have no idea what they're doing with all these posters. I'm somewhat overwhelmed by what I already have. I never really got into this to be a "collector", it came about from my love for movies and need to fill blank wallspace. Here recently, I've been far more picky about what comes in and more liberal about what goes out.
Personally? I have no idea what they're doing with all these posters. I'm somewhat overwhelmed by what I already have. I never really got into this to be a "collector", it came about from my love for movies and need to fill blank wallspace. Here recently, I've been far more picky about what comes in and more liberal about what goes out.
I much prefer stuff that is "official" (no real reason why, I just do) and so the fan art commissions dont get me too excited but I can see how it would be cool to be involved with commissioning the artist, having input etc.
plus the ability to ignore likeness rights and credit block etc issues must be fantastic - the whole likeness rights thing I just find bizarre once you are talking about a licensed print for a movie - its not like the actors involved (i.e. those that negotiate to retain all rights) have not been WELL compensated already, still it is what it is.
there are many movies I would love to see done well but as most of the artists I really like dont do commissions (or if they did they would be prohibitively expensive) its a non-starter (I know there are hundreds of very talented lesser known artists but a large part of what sells any print is the identity of the artist).
would love (LOVE) to get a Rollerball print from Olly but given he can make thousands at the drop of a hat by releasing a new 5x5 what could I offer to compete? just a shame (for me) I didnt win a golden ticket
plus the ability to ignore likeness rights and credit block etc issues must be fantastic - the whole likeness rights thing I just find bizarre once you are talking about a licensed print for a movie - its not like the actors involved (i.e. those that negotiate to retain all rights) have not been WELL compensated already, still it is what it is.
there are many movies I would love to see done well but as most of the artists I really like dont do commissions (or if they did they would be prohibitively expensive) its a non-starter (I know there are hundreds of very talented lesser known artists but a large part of what sells any print is the identity of the artist).
would love (LOVE) to get a Rollerball print from Olly but given he can make thousands at the drop of a hat by releasing a new 5x5 what could I offer to compete? just a shame (for me) I didnt win a golden ticket
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evilpresence
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This pretty much sums it up.punch wrote:To me, it means the established companies aren't giving the people the posters that people want. All these commissions seem to be movie posters with heavy use of likenesses. That's the trend I see at least.
Of course it's good for the artists, there is no middle man. They get to make a quick buck off the fanboys without anyone telling them no. They just have to be Ok with ripping off other peoples IP without any kind of compensation. This doesn't seem to be much of a problem.
This.punch wrote:To me, it means the established companies aren't giving the people the posters that people want...
Every commission you see come about recently are mostly for franchises that have nothing in the EB archives or prints that are heavily neutered.
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biscocrack420
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alittle wrote:Kind of funny to watch, but has no real impact on me.
On the contrary, I think it's very potentially bad for the artists. All you need is some high strung executive/actor/producer whatever who freaks out when they see an unlicensed piece being sold to show the artist how powerful copyright laws can be. Didn't that happen with that Terminator 2 print earlier this year?
(yes I know it wasn't a commission, but it was still unlicensed)
I also think it's terrible in the long run for collectors as they are feeding an already oversaturated market with unlicensed pieces. How many of these do we really need? Are some of them great, of course they are, there are some very talented artists out there doing this. But let's be honest, there is also a lot of crap.
I've been a part of a few of these commissions, and very well might be a part of some more, but as a whole I think they are terrible for the hobby.
(yes I know it wasn't a commission, but it was still unlicensed)I also think it's terrible in the long run for collectors as they are feeding an already oversaturated market with unlicensed pieces. How many of these do we really need? Are some of them great, of course they are, there are some very talented artists out there doing this. But let's be honest, there is also a lot of crap.
I've been a part of a few of these commissions, and very well might be a part of some more, but as a whole I think they are terrible for the hobby.
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That's what she said
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That's what she said
If these galleries are going to stick with the same 10-15 properties then of course commissions are going to exisit. THe lack of creativty from the galleries is what is driving everyone to other avenues to obtain a print they desire. I know we don't have to deal with licenses and stuff but still it really shouldn't be that hard to branch out.
Take the Bad Boys 2 commission for example. I know that none of the galleries would probably ever put a piece out for Bad Boys 2 and I would love to have one, therefore the only way of obtaining this is via the commission route. Also a lot of these galleries pay the artist fudge when it comes to their art, they usually make their money via their AP sales. Why not take up a commission group that is willing to pay $3,000-$10,000 to you for the art as well as provide you with AP's on top of it?
The only people they could be losing in the practice would maybe be the galleries and the studios. I would much rather pay $50-100 for a print I really want as oppose to another print for a property that has been done a thousand times already.
Take the Bad Boys 2 commission for example. I know that none of the galleries would probably ever put a piece out for Bad Boys 2 and I would love to have one, therefore the only way of obtaining this is via the commission route. Also a lot of these galleries pay the artist fudge when it comes to their art, they usually make their money via their AP sales. Why not take up a commission group that is willing to pay $3,000-$10,000 to you for the art as well as provide you with AP's on top of it?
The only people they could be losing in the practice would maybe be the galleries and the studios. I would much rather pay $50-100 for a print I really want as oppose to another print for a property that has been done a thousand times already.
danieldanger wrote: "...IT SHOULD HAVE BEEN STOUT. WHY WASNT IT STOUT? MY GOD PEOPLE, WE COULD BE HOLDING STOUT POSTERS RIGHT NOW."
There was a lot more drama behind that piece. I believe it had to do with Pitts thinking he was getting the license but then Mondo ended up coming in and buying it instead and then he was left with this print. When he tried to sell it the studio or whoever was not happy with it and send the cease and desist letter. At least that's what I recall happening.finneganm wrote:On the contrary, I think it's very potentially bad for the artists. All you need is some high strung executive/actor/producer whatever who freaks out when they see an unlicensed piece being sold to show the artist how powerful copyright laws can be. Didn't that happen with that Terminator 2 print earlier this year?
I also think it's terrible in the long run for collectors as they are feeding an already oversaturated market with unlicensed pieces. How many of these do we really need? Are some of them great, of course they are, there are some very talented artists out there doing this. But let's be honest, there is also a lot of crap.
I've been a part of a few of these commissions, and very well might be a part of some more, but as a whole I think they are terrible for the hobby.
danieldanger wrote: "...IT SHOULD HAVE BEEN STOUT. WHY WASNT IT STOUT? MY GOD PEOPLE, WE COULD BE HOLDING STOUT POSTERS RIGHT NOW."
The point is that it's an unlicensed print being sold by an artist interpreting a copyrighted property done without license from the source. I'm not a lawyer, but it doesn't pass the smell test.
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That's what she said
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That's what she said
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sidewaysscott
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meh
pay via paypal, use credit card,file dispute at the 20 day mark if suspicious. don't deal with noobs. don't trade with noobs. request feedback ahead of time. there are lots of good people 'round here.
That original commission group was more of a power trip than anything, I think. Maybe not so much with the new groups that have sprung up. Dunno', really...I don't go into those links as a rule.
I haven't really seen any commissioned prints that were all that great...maybe one or two that are exceptions. Still can't bring myself to buy one, though.
I haven't really seen any commissioned prints that were all that great...maybe one or two that are exceptions. Still can't bring myself to buy one, though.