Bob Dylan San Francisco 10 Sperry
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• Do not post ISOs or FS/Ts in this forum section. Please use the Open Market section of the EB forums for all secondary (resale) market activity.
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- solthistle
- Art Connoisseur
- Posts: 830
- Joined: Fri Jan 22, 2010 2:03 pm
Is there a rule of thumb when it comes to deciding if a larger piece (24" x 36" and larger) should be matted or spaced when using UV plexi? I guess what I'm getting at is if it is riskier to not mat and let the print touch the plexi and risk some sort of moisture build up between the plexi and the print? Or to mat it or space it and "wait" for the print to inevitably "bow" toward the center of print? I have a couple 24" x 36" pieces that have only 1" mats (so I can cheap out on a standard frame) and they are already starting to bow. Am I better off with no mats and risking moisture build up? I'm nervous to frame this Dylan until I can figure this out once and for all. Thanks in advance for any help regarding this.
"If you were a good pimp you would've hit me by now!"
"If looks could kill, I am a-dead now"
"If looks could kill, I am a-dead now"
should have mine tomorrow^^those pics have me thinking about calling in sick
Hey lightyears,
If you didn't live in a freakin' cemetary in Paris, I'd track your ass down and steal your Dylan.
Seriously, your pics are awesome!
If you didn't live in a freakin' cemetary in Paris, I'd track your ass down and steal your Dylan.
Seriously, your pics are awesome!
I always defer to someone who's wearing a beater, regardless of what else he's wearing.
I have Kelley's Pink Floyd poster from the late 80's framed with a big black wood frame and spacers, with no mat, and it hasn't bowed in 20 years. It's a 30x40 poster. The key is having professionals frame your cherished items. Michael's and frame marts are OK for generic stuff, but trust only in respected art pros to mount, mat and frame your 'fine china'. Also, don't use a 1 inch mat on a 23x35 just so it fits in a 24x36 frame. It doesn't look nearly as good as using the art rules of thumb. The minimum is 2", which is for small and medium sized art. For larger items like 20+ x 30+, it is common to use 3" or even 4" mats. The cost of all of what I've said here is higher than if you take the cheap way out... cheap is different than inexpensive... but the results are something you'll be happy with for many years. The flip side is that you'll be unhappy with 'cheap' very quickly (and every time you look at your poster/print, you'll kick yourself for not doing it right), and you'll desparately want to re-do what you've done.by solthistle on Mon Sep 20, 2010 9:34 pm
Is there a rule of thumb when it comes to deciding if a larger piece (24" x 36" and larger) should be matted or spaced when using UV plexi? I guess what I'm getting at is if it is riskier to not mat and let the print touch the plexi and risk some sort of moisture build up between the plexi and the print? Or to mat it or space it and "wait" for the print to inevitably "bow" toward the center of print? I have a couple 24" x 36" pieces that have only 1" mats (so I can cheap out on a standard frame) and they are already starting to bow. Am I better off with no mats and risking moisture build up? I'm nervous to frame this Dylan until I can figure this out once and for all. Thanks in advance for any help regarding this.
Just my personal experience speaking.
I always defer to someone who's wearing a beater, regardless of what else he's wearing.
- solthistle
- Art Connoisseur
- Posts: 830
- Joined: Fri Jan 22, 2010 2:03 pm
Rick_a_c wrote:I have Kelley's Pink Floyd poster from the late 80's framed with a big black wood frame and spacers, with no mat, and it hasn't bowed in 20 years. It's a 30x40 poster. The key is having professionals frame your cherished items. Michael's and frame marts are OK for generic stuff, but trust only in respected art pros to mount, mat and frame your 'fine china'. Also, don't use a 1 inch mat on a 23x35 just so it fits in a 24x36 frame. It doesn't look nearly as good as using the art rules of thumb. The minimum is 2", which is for small and medium sized art. For larger items like 20+ x 30+, it is common to use 3" or even 4" mats. The cost of all of what I've said here is higher than if you take the cheap way out... cheap is different than inexpensive... but the results are something you'll be happy with for many years. The flip side is that you'll be unhappy with 'cheap' very quickly (and every time you look at your poster/print, you'll kick yourself for not doing it right), and you'll desparately want to re-do what you've done.by solthistle on Mon Sep 20, 2010 9:34 pm
Is there a rule of thumb when it comes to deciding if a larger piece (24" x 36" and larger) should be matted or spaced when using UV plexi? I guess what I'm getting at is if it is riskier to not mat and let the print touch the plexi and risk some sort of moisture build up between the plexi and the print? Or to mat it or space it and "wait" for the print to inevitably "bow" toward the center of print? I have a couple 24" x 36" pieces that have only 1" mats (so I can cheap out on a standard frame) and they are already starting to bow. Am I better off with no mats and risking moisture build up? I'm nervous to frame this Dylan until I can figure this out once and for all. Thanks in advance for any help regarding this.
Just my personal experience speaking.
great advise thanks Rick
"If you were a good pimp you would've hit me by now!"
"If looks could kill, I am a-dead now"
"If looks could kill, I am a-dead now"
- lightyears2010
- Art Expert
- Posts: 9040
- Joined: Wed Aug 27, 2003 12:00 am
- Location: 1901 west madison street
a quick peek at AF and i found this...kinda like the filet thing you were talking about...although i'd never trust the colors of the jpegs at AF. the gold could be spot on, it could be off by a mile. the frame isnt quite wide enough, and i dont like that hint of red in it. it gives you an idea what it would look like with a gold filet though.
- lightyears2010
- Art Expert
- Posts: 9040
- Joined: Wed Aug 27, 2003 12:00 am
- Location: 1901 west madison street
a better example...
$120 aint too shabby for an archival frame up on a big ass print like this.
$120 aint too shabby for an archival frame up on a big ass print like this.
- lightyears2010
- Art Expert
- Posts: 9040
- Joined: Wed Aug 27, 2003 12:00 am
- Location: 1901 west madison street
actually, that gold looks like it could work very well. i was drymountin around, but now i'm twitching my goatee.
- jamesgunter
- Art Expert
- Posts: 5250
- Joined: Sun Jun 10, 2007 12:00 am
- Location: Birmingham, Al
- Contact:
why is it that people will drop hundreds of dollars on prints but are afraid of dropping a little cash on framing? ....not that that american framed doesnt look good, cause it does. but, if i spent that kind of money on a print i would frame it exactly the way i wanted and wouldnt cut corners...
+1jamesgunter wrote:why is it that people will drop hundreds of dollars on prints but are afraid of dropping a little cash on framing? ....not that that american framed doesnt look good, cause it does. but, if i spent that kind of money on a print i would frame it exactly the way i wanted and wouldnt cut corners...
no comment ®
Hey lightyears,
The more I look at the options you've posted, the more I like the plain black frame. It needs to be a wide/large frame, though (as you've said), in order to give the poster a look that says it's proprely housed. Also, regarding the gold&black, it goes back to my comment about the foil version of this poster... with all the golds and colors and textures of the print itself, there's no need to try to pull it out with additional color or pizazz (e.g., gold border, foil, etc.). A black wood frame on this one reeks of elegance IMHO.
... and gunter is asking precisely the right question, not just about this poster but in general. You'll ALWAYS regret cutting corners when framing.
The more I look at the options you've posted, the more I like the plain black frame. It needs to be a wide/large frame, though (as you've said), in order to give the poster a look that says it's proprely housed. Also, regarding the gold&black, it goes back to my comment about the foil version of this poster... with all the golds and colors and textures of the print itself, there's no need to try to pull it out with additional color or pizazz (e.g., gold border, foil, etc.). A black wood frame on this one reeks of elegance IMHO.
... and gunter is asking precisely the right question, not just about this poster but in general. You'll ALWAYS regret cutting corners when framing.
I always defer to someone who's wearing a beater, regardless of what else he's wearing.