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Greg's already got a post about this on his site, with some really beautiful alternative concepts:
https://www.gregthings.com/in-the-mood-for-love

In The Mood For Love by Greg Ruth, poster and vinyl:' https://theplaylist.net/wp-content/uploads/2021/02/4.-ITMFL_poster-683x1024.jpg https://theplaylist.net/wp-content/uploads/2021/02/1.-ITMFL_soundtrack-spread-1024x711.jpg https://theplaylist.net/in-the-mood-for-love-mondo-poster-vinyl-20210208/?u...

Hey All - I'm a newbie to expressobeans. Very thankful to have stumbled across this community. I'm the original owner of a matching set/series of all three posters (#219/400). A few details: a. I've been the only owner and acquired them from Mondo during the original sale in 2010 b. Due to living c...

My variant arrived, and I tend to agree with what others have said here. Wished they had used the foil more sparingly. The choice to use it on the faces is kind of baffling.

Received my Ansin SW variant as well. I know there's been some discussion on Facebook about the use of foil (and people wondering if maybe a layer didn't get printed). In person, I must say that the foil feels a little much, especially on the faces. It's odd, considering the foil use on his GitS was...

I've only seen Red Desert once, and I didn't connect with it right away. Feel like I'm due for a revisit. Most Antonioni's take me a few viewings to really sink in.

Very excited for this. Perfect match of artist to property. I hope this means we'll get more Antonioni in the future. Also, while I know films like Red Desert and his alienation trilogy are the most well known, I'd highly recommend checking Antonioni's THE PASSENGER. It's got a very low-key Jack Nic...

https://expressobeans.com/public/detail.php/288663

This should only be numbered, not signed and numbered.

Thank you!

Killer work by Rory. Those likenesses are so good.

I much prefer the colors of the reg.

If we're talking about early Hitchcock, would love to see The Lady Vanishes as well.

I like the print quite a bit, but I tend to agree. It feels like there are 2 really great concepts in here, and they don't *quite* mesh into a perfect whole.

LD Paris, Texas. https://scontent-atl3-1.xx.fbcdn.net/v/t1.0-9/118098175_328475975229325_3087518399586047689_o.jpg?_nc_cat=107&_nc_sid=8024bb&_nc_ohc=amPAH4E3enQAX_7_X3i&_nc_ht=scontent-atl3-1.xx&oh=806c6ae81be1ef964a2ea7fd73e95cb5&oe=5F5F700E https://scontent-atl3-1.xx.fbcdn.net/v/t1.0-9/117942793_...

jmagee87 wrote: ↑

Fri Aug 14, 2020 9:09 am

The file name was Fauntleroy. In Django, Jamie Fox where's a Fauntleroy suit. Jamie Fox is in Collateral. Collateral is in LA. The print is for Collateral

Miami Vice could also fit based on that clue. And someone on FB pointed out that Polanski wears a fauntleroy suit in OUATIH...

It's a great, underrated Coppola film. I'm not feeling this poster as much as I'd expected, though :/

A couple years ago at Mondocon someone asked Mitch about the credits thing. He said it had to do with their new license (through Acme I think) being a 'fine art' license, so the prints aren't technically considered movie posters. It sucksss.