still holds trueRebafeind wrote:i have both copies
i can't see myself getting rid of either
My Neighbor Totoro 11 Moss Release Discussion 12/16/11
Also still holds true.KSUvet wrote:'Member when Olly used to make movie posters we could buy?
"I see dudes using cotton gloves on prints that I know were printed while someone was drinking a beer or eating Cheetos, while water leaked from the ceiling. And I'm not even talking about my shop!" - alexfugazi
- theperfecttree
- EB Team
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- Location: Austin, TX
sharp frameup there
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- Joined: Tue May 15, 2018 4:09 am
- Location: Canada
One of my all-time favorite anime.
Hello
I wanted a very simple framework to showcase this poster : the print floating in a canvas floater frame of the same color as the wall.
If the result is simple, the implementation has been more complicated. the canvas floater frames are intended to install a canvas or a photo sticked on dibond.
Of course I did not want to stick the poster on dibond and I wanted to protect it.
I had to do a first setting called in French a "sous-verre". A glass mount with the poster between a cardboard acid-free and a museum glass (without reflection) with a strip of peripheral sticky paper.
it is this glass mount which is then mounted in the canvas floater frame like a canvas. The print is well protected with a great color rendering. It is completely reversible, I can recover the poster as new.
I like this kind of framework and I made the same for the « 20,000 Leagues Under the Sea 17 Ansin ». Yesterday I took the « Mulholland Drive 15 Tong - Variant » to the framer for the same job.
Herve.
I wanted a very simple framework to showcase this poster : the print floating in a canvas floater frame of the same color as the wall.
If the result is simple, the implementation has been more complicated. the canvas floater frames are intended to install a canvas or a photo sticked on dibond.
Of course I did not want to stick the poster on dibond and I wanted to protect it.
I had to do a first setting called in French a "sous-verre". A glass mount with the poster between a cardboard acid-free and a museum glass (without reflection) with a strip of peripheral sticky paper.
it is this glass mount which is then mounted in the canvas floater frame like a canvas. The print is well protected with a great color rendering. It is completely reversible, I can recover the poster as new.
I like this kind of framework and I made the same for the « 20,000 Leagues Under the Sea 17 Ansin ». Yesterday I took the « Mulholland Drive 15 Tong - Variant » to the framer for the same job.
Herve.