by fredo on Sun Aug 12, 2012 7:38 pm
I give it a B. Effects/action: A. Last 2 minutes: F-. The reveal in the climax was good... but they shoulda killed Batman, never mentioned Robin, and left it at that.
Fapping to follow.
It was clunky here and there, but overall TDKR was a way more cohesive ride than the last one. For me the themes of comeuppance, redemption, etc. smoothed over the rough patches and created the grand vibe that the totally disjointed TDK couldn't deliver, imo. In general Nolan's flicks suffer because he can't seem to write interesting characters- only convoluted circumstances for them to fight/conquer. E.g. Inception and Memento (which I liked) were almost entirely driven by the leads' actions/needs and not the characters themselves. As far as enjoying those films go, you just have to accept their burden as yours and voila! Off you go. It's no failure unto itself, but you gotta know your limits and imo with TDK Nolan went way out on a limb with the character development and (along with some horrific editing) sunk the entire flick in the process for me. /digression]
So...yeah. TDKR played effectively with the bigger themes in the run up to the climax. These made the villains seem more menacing even after the revenge plot reveal than just a dull sociopath doing chaotic shit for its own sake (a much goofier and transient M.O. than actually, physically destroying a city for its sins) and screwing with the head of a billionaire who I hated anyhow. In that vein, taking some of the focus off of Wayne's personal life here helped a ton w TDKR. Solid flick.
ps Keaton's Batman still rules.
pps the new Batcycle also rules.
Last edited by
fredo on Mon Aug 13, 2012 9:41 am, edited 1 time in total.