Fairey Duality of Humanity 3 Anticipation Thread

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solepole
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Sun Aug 17, 2008 4:20 pm

Kdh12 wrote:
AceO wrote:
Kdh12 wrote:I hesitate to get in this debate cuz it happens every month or so..... but

1- Fairey was mad at people flipping poster not cuz they are reselling his art and making money off it but because many TRUE fans do not get the posters are having to pay the flippers

2- Many of images that Fairey uses, yes they are other people's images to start, but they are very vernacular portraits of iconic figures... for example the Mao portrait that keeps coming up.... how many hundreds of images do you think there are that look just like that....

He could use his imagination and draw them but that is not his art, he is an illustrator that uses a lot of mixed media in his fine art..... ask Ansal Adams to draw a landscape.....


How bout Shep creates some "art" without stealing someone elses image???? Maybe Ansal Adams could just take another artists landscape and put his name on it like Shep?
My point was not that Adams was not original, we was a head of his time considering we was working in the 40's and 50's when camera/film technology sucked money balls...

but asking Fairey to draw instead of illustrating might be like asking Adams to paint.... it was not his thing....

that said, how many times do you think that someone has taken the same exact photo as Adams.. does that mean they are stealing?

There was one artist in particular (can't think of his name right now) who went around and took the same exact photos as Adams plus 50 yeas as a way to show human impression on the land..... is he stealing? He could have made his same points without taking the same photos as Adams?


This argument of Fairey stealing other people's images is not fair, and IMO there are no new ideas in art AT ALL... only old ideas reworked and retought up........
This whole thing about Adams photography is ridiculous. First of all there are lot of things that go into making a great photo. And I do not really want to get into it, but anyone who has ever approached photography in a serious way knows that Adams did not just go out somewhere and snap a photo and that was it. Time went into finding the right shot, using the correct filters if necessary, using the right film (size and speed), using the right exposure settings, using the right F-stop, waiting for the right light, maybe coming back the next day when the light is right, maybe waiting a week for the light to be right, then developing it correctly, and using the right filter in the enlarger etc. I could go on forever. So let someone go to the exact same spot and attempt to take the exact same photo... it wont happen. They might be able to take a photo of the same thing, but it will not be THE same photo. What made Adam's work so great was how every detail and every aspect of the photo and shot that could be controlled by the artist was controlled so masterfully.
Furthermore, someone is not stealing an idea or a "landscape" by taking a photo of a natural structure or scene that has already been photographed. It's beauty already exists to those who see it. There is a huge difference with an artist that is a painter, or an illustrator if they are creating a piece of art focusing on a fictitious image (they are not painting or drawing still-life, but instead using their imagination to create their art). In this situation, the artist is creating the art from his/her own experience and thoughts (although they may certainly be influenced by art they have seen before). Then, once the piece is finished, what makes it great or not is the artist's technique, or the unique way in which they executed the image, or the message that is embedded or given-off by the image. There are obviously hundreds if not thousands of criteria here. But if someone where to take this original art and then reproduce it (or parts of it), copying the original technique, and incorporating the already associated poignancy of the original work into their own piece of art, well then it IS copying. (In today's day and age, one does not even need to copy the technique used by the original artist to recreate the original work, its as simple as just finding a digital copy of the piece of art and cutting and pasting the pieces of it that you want to use). It seems to me that Fairey has done this. This is easily seen in one of the many examples shown in Vallen's article (http://www.art-for-a-change.com/Obey/index.htm ). The example I chose to use is Chaplin’s One Big Union image, where all Fairey did was copy the original image and add a lightening bolt to the already drawn hand. Then Fairey put this image with the text "Obey Propaganda" on a shirt and now sells it and profits off of it. Fairey did NOTHING "artistic" with the original image what-so-ever. Nothing. And none of you can argue differently. He added some flame-like border above the throng of people, that was it. This is NOT being an artist. Now I am not saying that Fairey has not done other things that ARE artistic, but this is a prime example of his direct stealing of someone else's art and creativity. This was not a landscape that Fairey copied, this was not a still-life that Fairey copied, this was an original piece of art that was formed from the creative process of the original artist. This is VERY different than if Ansel Adams took a photo of a landscape that someone else had already taken a famous photo of. Actually, I would probably enjoy seeing Adams take a photo of an already famous landscape to see what would be done differently, and to see what different things were highlighted or focused on, or to see if a different time of day or light pattern was used. Copying is the highest form a flattery, right? In this case, it would be, if Adams was so moved by a particular landscape someone else did that Adams wanted to try and do a similar one. But Adams would not be taking a photo of the original photo and then calling it his own! Adams would be using his own artistic abilities to try and create beauty from an already discovered source. This is so incredibly different than just taking a drawing or painting that has already been made and altering it ever so slightly and then NOT crediting the original source and selling it as your own creation. Ok, I could go on forever, and I never thought I would even write this, and I did. But I just think that it is impossible to excuse Fairey of the blatant theft of certain images that he uses.
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MonkeyPaw
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Sun Aug 17, 2008 4:26 pm

A lot of Adams best photos were not printed by him. Does this mean he isn't the artist? Just curious.

I personally never liked his photos until I went to the exhibit in Boston a couple years ago. But that's a whole 'nother thing.
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Kdh12
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Sun Aug 17, 2008 9:02 pm

solepole wrote:
Kdh12 wrote:
AceO wrote:
Kdh12 wrote:I hesitate to get in this debate cuz it happens every month or so..... but

1- Fairey was mad at people flipping poster not cuz they are reselling his art and making money off it but because many TRUE fans do not get the posters are having to pay the flippers

2- Many of images that Fairey uses, yes they are other people's images to start, but they are very vernacular portraits of iconic figures... for example the Mao portrait that keeps coming up.... how many hundreds of images do you think there are that look just like that....

He could use his imagination and draw them but that is not his art, he is an illustrator that uses a lot of mixed media in his fine art..... ask Ansal Adams to draw a landscape.....


How bout Shep creates some "art" without stealing someone elses image???? Maybe Ansal Adams could just take another artists landscape and put his name on it like Shep?
My point was not that Adams was not original, we was a head of his time considering we was working in the 40's and 50's when camera/film technology sucked money balls...

but asking Fairey to draw instead of illustrating might be like asking Adams to paint.... it was not his thing....

that said, how many times do you think that someone has taken the same exact photo as Adams.. does that mean they are stealing?

There was one artist in particular (can't think of his name right now) who went around and took the same exact photos as Adams plus 50 yeas as a way to show human impression on the land..... is he stealing? He could have made his same points without taking the same photos as Adams?


This argument of Fairey stealing other people's images is not fair, and IMO there are no new ideas in art AT ALL... only old ideas reworked and retought up........
This whole thing about Adams photography is ridiculous. First of all there are lot of things that go into making a great photo. And I do not really want to get into it, but anyone who has ever approached photography in a serious way knows that Adams did not just go out somewhere and snap a photo and that was it. Time went into finding the right shot, using the correct filters if necessary, using the right film (size and speed), using the right exposure settings, using the right F-stop, waiting for the right light, maybe coming back the next day when the light is right, maybe waiting a week for the light to be right, then developing it correctly, and using the right filter in the enlarger etc. I could go on forever. So let someone go to the exact same spot and attempt to take the exact same photo... it wont happen. They might be able to take a photo of the same thing, but it will not be THE same photo. What made Adam's work so great was how every detail and every aspect of the photo and shot that could be controlled by the artist was controlled so masterfully.
Furthermore, someone is not stealing an idea or a "landscape" by taking a photo of a natural structure or scene that has already been photographed. It's beauty already exists to those who see it. There is a huge difference with an artist that is a painter, or an illustrator if they are creating a piece of art focusing on a fictitious image (they are not painting or drawing still-life, but instead using their imagination to create their art). In this situation, the artist is creating the art from his/her own experience and thoughts (although they may certainly be influenced by art they have seen before). Then, once the piece is finished, what makes it great or not is the artist's technique, or the unique way in which they executed the image, or the message that is embedded or given-off by the image. There are obviously hundreds if not thousands of criteria here. But if someone where to take this original art and then reproduce it (or parts of it), copying the original technique, and incorporating the already associated poignancy of the original work into their own piece of art, well then it IS copying. (In today's day and age, one does not even need to copy the technique used by the original artist to recreate the original work, its as simple as just finding a digital copy of the piece of art and cutting and pasting the pieces of it that you want to use). It seems to me that Fairey has done this. This is easily seen in one of the many examples shown in Vallen's article (http://www.art-for-a-change.com/Obey/index.htm ). The example I chose to use is Chaplin’s One Big Union image, where all Fairey did was copy the original image and add a lightening bolt to the already drawn hand. Then Fairey put this image with the text "Obey Propaganda" on a shirt and now sells it and profits off of it. Fairey did NOTHING "artistic" with the original image what-so-ever. Nothing. And none of you can argue differently. He added some flame-like border above the throng of people, that was it. This is NOT being an artist. Now I am not saying that Fairey has not done other things that ARE artistic, but this is a prime example of his direct stealing of someone else's art and creativity. This was not a landscape that Fairey copied, this was not a still-life that Fairey copied, this was an original piece of art that was formed from the creative process of the original artist. This is VERY different than if Ansel Adams took a photo of a landscape that someone else had already taken a famous photo of. Actually, I would probably enjoy seeing Adams take a photo of an already famous landscape to see what would be done differently, and to see what different things were highlighted or focused on, or to see if a different time of day or light pattern was used. Copying is the highest form a flattery, right? In this case, it would be, if Adams was so moved by a particular landscape someone else did that Adams wanted to try and do a similar one. But Adams would not be taking a photo of the original photo and then calling it his own! Adams would be using his own artistic abilities to try and create beauty from an already discovered source. This is so incredibly different than just taking a drawing or painting that has already been made and altering it ever so slightly and then NOT crediting the original source and selling it as your own creation. Ok, I could go on forever, and I never thought I would even write this, and I did. But I just think that it is impossible to excuse Fairey of the blatant theft of certain images that he uses.

Again someone misses the point and only hears what they want to hear.....

My point was not that Adams was not original,

but asking Fairey to draw instead of illustrating might be like asking Adams to paint.... it was not his thing....


that is it and that is all.... read the rest of my post and you will see I gave Adams props..... I understand..... I am a photographer... have a degree and lots, lots of images to show for it.... do my own printing as well ;)
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Kdh12
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Sun Aug 17, 2008 9:03 pm

MonkeyPaw wrote:A lot of Adams best photos were not printed by him. Does this mean he isn't the artist? Just curious.

I personally never liked his photos until I went to the exhibit in Boston a couple years ago. But that's a whole 'nother thing.
back in 2002 they had a show at the art institute in chicago and it blew my mind away.......
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Kdh12
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Sun Aug 17, 2008 9:12 pm

solepole wrote:
Kdh12 wrote:
AceO wrote:
Kdh12 wrote:I hesitate to get in this debate cuz it happens every month or so..... but

1- Fairey was mad at people flipping poster not cuz they are reselling his art and making money off it but because many TRUE fans do not get the posters are having to pay the flippers

2- Many of images that Fairey uses, yes they are other people's images to start, but they are very vernacular portraits of iconic figures... for example the Mao portrait that keeps coming up.... how many hundreds of images do you think there are that look just like that....

He could use his imagination and draw them but that is not his art, he is an illustrator that uses a lot of mixed media in his fine art..... ask Ansal Adams to draw a landscape.....


How bout Shep creates some "art" without stealing someone elses image???? Maybe Ansal Adams could just take another artists landscape and put his name on it like Shep?
My point was not that Adams was not original, we was a head of his time considering we was working in the 40's and 50's when camera/film technology sucked money balls...

but asking Fairey to draw instead of illustrating might be like asking Adams to paint.... it was not his thing....

that said, how many times do you think that someone has taken the same exact photo as Adams.. does that mean they are stealing?

There was one artist in particular (can't think of his name right now) who went around and took the same exact photos as Adams plus 50 yeas as a way to show human impression on the land..... is he stealing? He could have made his same points without taking the same photos as Adams?


This argument of Fairey stealing other people's images is not fair, and IMO there are no new ideas in art AT ALL... only old ideas reworked and retought up........
This whole thing about Adams photography is ridiculous. First of all there are lot of things that go into making a great photo. And I do not really want to get into it, but anyone who has ever approached photography in a serious way knows that Adams did not just go out somewhere and snap a photo and that was it. Time went into finding the right shot, using the correct filters if necessary, using the right film (size and speed), using the right exposure settings, using the right F-stop, waiting for the right light, maybe coming back the next day when the light is right, maybe waiting a week for the light to be right, then developing it correctly, and using the right filter in the enlarger etc. I could go on forever. So let someone go to the exact same spot and attempt to take the exact same photo... it wont happen. They might be able to take a photo of the same thing, but it will not be THE same photo. What made Adam's work so great was how every detail and every aspect of the photo and shot that could be controlled by the artist was controlled so masterfully.
Furthermore, someone is not stealing an idea or a "landscape" by taking a photo of a natural structure or scene that has already been photographed. It's beauty already exists to those who see it. There is a huge difference with an artist that is a painter, or an illustrator if they are creating a piece of art focusing on a fictitious image (they are not painting or drawing still-life, but instead using their imagination to create their art). In this situation, the artist is creating the art from his/her own experience and thoughts (although they may certainly be influenced by art they have seen before). Then, once the piece is finished, what makes it great or not is the artist's technique, or the unique way in which they executed the image, or the message that is embedded or given-off by the image. There are obviously hundreds if not thousands of criteria here. But if someone where to take this original art and then reproduce it (or parts of it), copying the original technique, and incorporating the already associated poignancy of the original work into their own piece of art, well then it IS copying. (In today's day and age, one does not even need to copy the technique used by the original artist to recreate the original work, its as simple as just finding a digital copy of the piece of art and cutting and pasting the pieces of it that you want to use). It seems to me that Fairey has done this. This is easily seen in one of the many examples shown in Vallen's article (http://www.art-for-a-change.com/Obey/index.htm ). The example I chose to use is Chaplin’s One Big Union image, where all Fairey did was copy the original image and add a lightening bolt to the already drawn hand. Then Fairey put this image with the text "Obey Propaganda" on a shirt and now sells it and profits off of it. Fairey did NOTHING "artistic" with the original image what-so-ever. Nothing. And none of you can argue differently. He added some flame-like border above the throng of people, that was it. This is NOT being an artist. Now I am not saying that Fairey has not done other things that ARE artistic, but this is a prime example of his direct stealing of someone else's art and creativity. This was not a landscape that Fairey copied, this was not a still-life that Fairey copied, this was an original piece of art that was formed from the creative process of the original artist. This is VERY different than if Ansel Adams took a photo of a landscape that someone else had already taken a famous photo of. Actually, I would probably enjoy seeing Adams take a photo of an already famous landscape to see what would be done differently, and to see what different things were highlighted or focused on, or to see if a different time of day or light pattern was used. Copying is the highest form a flattery, right? In this case, it would be, if Adams was so moved by a particular landscape someone else did that Adams wanted to try and do a similar one. But Adams would not be taking a photo of the original photo and then calling it his own! Adams would be using his own artistic abilities to try and create beauty from an already discovered source. This is so incredibly different than just taking a drawing or painting that has already been made and altering it ever so slightly and then NOT crediting the original source and selling it as your own creation. Ok, I could go on forever, and I never thought I would even write this, and I did. But I just think that it is impossible to excuse Fairey of the blatant theft of certain images that he uses.

You missed my other point.....

the images that Fairey uses

example

Image


how many times do think that same head shot of mao as been taken, painted, illustrated... whatever by other people.... it is the classic vernacular head shot of a dictator......like many of the images that Fairey uses.....

DOH series, look at Robert Capa photos of the war there is going to be similarities to Rockoff...... again my point was

there are no knew ideas in art only old ideas reworked
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AceO
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Sun Aug 17, 2008 9:25 pm

[quote="Kdh12"][quote="solepole"][quote="Kdh12"][quote="AceO"][quote="Kdh12"]I hesitate to get in this debate cuz it happens every month or so..... but

1- Fairey was mad at people flipping poster not cuz they are reselling his art and making money off it but because many TRUE fans do not get the posters are having to pay the flippers

2- Many of images that Fairey uses, yes they are other people's images to start, but they are very vernacular portraits of iconic figures... for example the Mao portrait that keeps coming up.... how many hundreds of images do you think there are that look just like that....

He could use his imagination and draw them but that is not his art, he is an illustrator that uses a lot of mixed media in his fine art..... ask Ansal Adams to draw a landscape.....[/quote]



How bout Shep creates some "art" without stealing someone elses image???? Maybe Ansal Adams could just take another artists landscape and put his name on it like Shep?[/quote]

My point was not that Adams was not original, we was a head of his time considering we was working in the 40's and 50's when camera/film technology sucked money balls...

but asking Fairey to draw instead of illustrating might be like asking Adams to paint.... it was not his thing....

that said, how many times do you think that someone has taken the same exact photo as Adams.. does that mean they are stealing?

There was one artist in particular (can't think of his name right now) who went around and took the same exact photos as Adams plus 50 yeas as a way to show human impression on the land..... is he stealing? He could have made his same points without taking the same photos as Adams?


This argument of Fairey stealing other people's images is not fair, and IMO there are no new ideas in art AT ALL... only old ideas reworked and retought up........[/quote]

This whole thing about Adams photography is ridiculous. First of all there are lot of things that go into making a great photo. And I do not really want to get into it, but anyone who has ever approached photography in a serious way knows that Adams did not just go out somewhere and snap a photo and that was it. Time went into finding the right shot, using the correct filters if necessary, using the right film (size and speed), using the right exposure settings, using the right F-stop, waiting for the right light, maybe coming back the next day when the light is right, maybe waiting a week for the light to be right, then developing it correctly, and using the right filter in the enlarger etc. I could go on forever. So let someone go to the exact same spot and attempt to take the exact same photo... it wont happen. They might be able to take a photo of the same thing, but it will not be THE same photo. What made Adam's work so great was how every detail and every aspect of the photo and shot that could be controlled by the artist was controlled so masterfully.
Furthermore, someone is not stealing an idea or a "landscape" by taking a photo of a natural structure or scene that has already been photographed. It's beauty already exists to those who see it. There is a huge difference with an artist that is a painter, or an illustrator if they are creating a piece of art focusing on a fictitious image (they are not painting or drawing still-life, but instead using their imagination to create their art). In this situation, the artist is creating the art from his/her own experience and thoughts (although they may certainly be influenced by art they have seen before). Then, once the piece is finished, what makes it great or not is the artist's technique, or the unique way in which they executed the image, or the message that is embedded or given-off by the image. There are obviously hundreds if not thousands of criteria here. But if someone where to take this original art and then reproduce it (or parts of it), copying the original technique, and incorporating the already associated poignancy of the original work into their own piece of art, well then it IS copying. (In today's day and age, one does not even need to copy the technique used by the original artist to recreate the original work, its as simple as just finding a digital copy of the piece of art and cutting and pasting the pieces of it that you want to use). It seems to me that Fairey has done this. This is easily seen in one of the many examples shown in Vallen's article (http://www.art-for-a-change.com/Obey/index.htm ). The example I chose to use is Chaplin’s One Big Union image, where all Fairey did was copy the original image and add a lightening bolt to the already drawn hand. Then Fairey put this image with the text "Obey Propaganda" on a shirt and now sells it and profits off of it. Fairey did NOTHING "artistic" with the original image what-so-ever. Nothing. And none of you can argue differently. He added some flame-like border above the throng of people, that was it. This is NOT being an artist. Now I am not saying that Fairey has not done other things that ARE artistic, but this is a prime example of his direct stealing of someone else's art and creativity. This was not a landscape that Fairey copied, this was not a still-life that Fairey copied, this was an original piece of art that was formed from the creative process of the original artist. This is VERY different than if Ansel Adams took a photo of a landscape that someone else had already taken a famous photo of. Actually, I would probably enjoy seeing Adams take a photo of an already famous landscape to see what would be done differently, and to see what different things were highlighted or focused on, or to see if a different time of day or light pattern was used. Copying is the highest form a flattery, right? In this case, it would be, if Adams was so moved by a particular landscape someone else did that Adams wanted to try and do a similar one. But Adams would not be taking a photo of the original photo and then calling it his own! Adams would be using his own artistic abilities to try and create beauty from an already discovered source. This is so incredibly different than just taking a drawing or painting that has already been made and altering it ever so slightly and then NOT crediting the original source and selling it as your own creation. Ok, I could go on forever, and I never thought I would even write this, and I did. But I just think that it is impossible to excuse Fairey of the blatant theft of certain images that he uses.[/quote]


Again someone misses the point and only hears what they want to hear.....

[b]My point was not that Adams was not original,[/b]
[b]
but asking Fairey to draw instead of illustrating might be like asking Adams to paint.... it was not his thing....[/b]

that is it and that is all.... read the rest of my post and you will see I gave Adams props..... I understand..... I am a photographer... have a degree and lots, lots of images to show for it.... do my own printing as well ;)[/quote]


When you say "Illustrating" in the following quote:

"but asking Fairey to draw instead of illustrating might be like asking Adams to paint"

What do you mean? Since I do not have a degree in art or photography, and I am not being an ass, but to me "illustrate" is vague. In my non art-educated thought process, illustrate and draw are very similar.
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jjbehren
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Sun Aug 17, 2008 10:34 pm

Wait. I thought this poster went on sale on Friday. In fact, I know it did. I got one....

I come home from vacation to find almost double the number of pages. Could someone briefly bring me up to speed? Obviously the anticipation is over. I can't read 30-some pages.

Thank you.
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Kdh12
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Sun Aug 17, 2008 10:37 pm

AceO wrote:
Kdh12 wrote:
solepole wrote:
Kdh12 wrote: My point was not that Adams was not original, we was a head of his time considering we was working in the 40's and 50's when camera/film technology sucked money balls...

but asking Fairey to draw instead of illustrating might be like asking Adams to paint.... it was not his thing....

that said, how many times do you think that someone has taken the same exact photo as Adams.. does that mean they are stealing?

There was one artist in particular (can't think of his name right now) who went around and took the same exact photos as Adams plus 50 yeas as a way to show human impression on the land..... is he stealing? He could have made his same points without taking the same photos as Adams?


This argument of Fairey stealing other people's images is not fair, and IMO there are no new ideas in art AT ALL... only old ideas reworked and retought up........
This whole thing about Adams photography is ridiculous. First of all there are lot of things that go into making a great photo. And I do not really want to get into it, but anyone who has ever approached photography in a serious way knows that Adams did not just go out somewhere and snap a photo and that was it. Time went into finding the right shot, using the correct filters if necessary, using the right film (size and speed), using the right exposure settings, using the right F-stop, waiting for the right light, maybe coming back the next day when the light is right, maybe waiting a week for the light to be right, then developing it correctly, and using the right filter in the enlarger etc. I could go on forever. So let someone go to the exact same spot and attempt to take the exact same photo... it wont happen. They might be able to take a photo of the same thing, but it will not be THE same photo. What made Adam's work so great was how every detail and every aspect of the photo and shot that could be controlled by the artist was controlled so masterfully.
Furthermore, someone is not stealing an idea or a "landscape" by taking a photo of a natural structure or scene that has already been photographed. It's beauty already exists to those who see it. There is a huge difference with an artist that is a painter, or an illustrator if they are creating a piece of art focusing on a fictitious image (they are not painting or drawing still-life, but instead using their imagination to create their art). In this situation, the artist is creating the art from his/her own experience and thoughts (although they may certainly be influenced by art they have seen before). Then, once the piece is finished, what makes it great or not is the artist's technique, or the unique way in which they executed the image, or the message that is embedded or given-off by the image. There are obviously hundreds if not thousands of criteria here. But if someone where to take this original art and then reproduce it (or parts of it), copying the original technique, and incorporating the already associated poignancy of the original work into their own piece of art, well then it IS copying. (In today's day and age, one does not even need to copy the technique used by the original artist to recreate the original work, its as simple as just finding a digital copy of the piece of art and cutting and pasting the pieces of it that you want to use). It seems to me that Fairey has done this. This is easily seen in one of the many examples shown in Vallen's article (http://www.art-for-a-change.com/Obey/index.htm ). The example I chose to use is Chaplin’s One Big Union image, where all Fairey did was copy the original image and add a lightening bolt to the already drawn hand. Then Fairey put this image with the text "Obey Propaganda" on a shirt and now sells it and profits off of it. Fairey did NOTHING "artistic" with the original image what-so-ever. Nothing. And none of you can argue differently. He added some flame-like border above the throng of people, that was it. This is NOT being an artist. Now I am not saying that Fairey has not done other things that ARE artistic, but this is a prime example of his direct stealing of someone else's art and creativity. This was not a landscape that Fairey copied, this was not a still-life that Fairey copied, this was an original piece of art that was formed from the creative process of the original artist. This is VERY different than if Ansel Adams took a photo of a landscape that someone else had already taken a famous photo of. Actually, I would probably enjoy seeing Adams take a photo of an already famous landscape to see what would be done differently, and to see what different things were highlighted or focused on, or to see if a different time of day or light pattern was used. Copying is the highest form a flattery, right? In this case, it would be, if Adams was so moved by a particular landscape someone else did that Adams wanted to try and do a similar one. But Adams would not be taking a photo of the original photo and then calling it his own! Adams would be using his own artistic abilities to try and create beauty from an already discovered source. This is so incredibly different than just taking a drawing or painting that has already been made and altering it ever so slightly and then NOT crediting the original source and selling it as your own creation. Ok, I could go on forever, and I never thought I would even write this, and I did. But I just think that it is impossible to excuse Fairey of the blatant theft of certain images that he uses.

Again someone misses the point and only hears what they want to hear.....

My point was not that Adams was not original,

but asking Fairey to draw instead of illustrating might be like asking Adams to paint.... it was not his thing....


that is it and that is all.... read the rest of my post and you will see I gave Adams props..... I understand..... I am a photographer... have a degree and lots, lots of images to show for it.... do my own printing as well ;)

When you say "Illustrating" in the following quote:

"but asking Fairey to draw instead of illustrating might be like asking Adams to paint"

What do you mean? Since I do not have a degree in art or photography, and I am not being an ass, but to me "illustrate" is vague. In my non art-educated thought process, illustrate and draw are very similar.
you my friend need to learn to use the quote feature ;)

defining illustration is a point of debate.... some would say that any drawing, painting, photo ect.. used to tell a story is an illustration

simply put it is art used to tell story

my view has changed with the advent of computer technology, i.e. adobe has a program called illustrator....to me illustration is more along the lines of graphic design.... the art for video games could be considered an illustration.

another example IMO Brad Klausen, he hands draws most all of his posters, but then inputs them into the computer and via photoshop and illustrator adds color, cleans up lines etc, you could then say that it is no longer a drawing but an illustration IMO.

so to answer you question they are similar but different,

another person I would consider to be an illustrator would be Todd Slater, he uses a lot of found images and then incorporates graphics and collage (see his two ben harper posters) but no one seems to crying foul in his threads :)
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GTMaus
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Sun Aug 17, 2008 11:15 pm

jjbehren wrote:Wait. I thought this poster went on sale on Friday. In fact, I know it did. I got one....

I come home from vacation to find almost double the number of pages. Could someone briefly bring me up to speed? Obviously the anticipation is over. I can't read 30-some pages.

Thank you.
Basically from what I gathered they are hashing over Fairey's use of other people's photos, his Ebay policy and what constitutes being an original artist. Been reading off and on all day, skipped a few post, but I believe that's the basics of this thread.
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Blackheart
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Sun Aug 17, 2008 11:23 pm

:deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse: :deadhorse:

need i say more?
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GR8Dane
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Sun Aug 17, 2008 11:35 pm

no. Conversation over. Fairey beats a dead horse.
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Kdh12
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Mon Aug 18, 2008 8:57 am

GR8Dane wrote:no. Conversation over. Fairey beats a dead horse.
but yet you continue to buy his prints :)
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jjbehren
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Mon Aug 18, 2008 10:53 am

When did these go up on Ducky (along with DOH 1 and 2)? So pissed I missed them, especially 2 since it's the only one I don't have.
jrqbliss
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Mon Aug 18, 2008 1:41 pm

I wonder if those that complain about Fairey's methods hate hip-hop as well.

It strikes me that sometimes Fairey does really original things with his "samples". Other times he's way too much like Puff Daddy ripping that Police tune.
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kevron62007
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Mon Aug 18, 2008 1:43 pm

jrqbliss wrote:I wonder if those that complain about Fairey's methods hate hip-hop as well.

It strikes me that sometimes Fairey does really original things with his "samples". Other times he's way too much like Puff Daddy ripping that Police tune.
Do you really sit around and wonder about this?
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