kramer73 wrote:
I like the print, not really enough to pick one up right now, but I do like it.
image is good, the incoming pics posted though have the print looking grainy, if it so then a little disappointing for me, oh well
kramer73 wrote:
I like the print, not really enough to pick one up right now, but I do like it.
It's not the printer. D&L are the best printers in the business.turnJBup wrote:Time to think about getting someone else to print for you MB....
Great image, huge potential, poor execution.
Naw, it's just an unavoidable byproduct that comes from using halftones to try to simulate a full color photo.. and why folks warned about digital image vs. actual print.gonzo303 wrote:ya there more i look at it, i think its supposed to have that grainy look to it!
Will if it is only the separations that is giving this appearance, D&L does that for you if you cannot do them yourself. That would have to mean it was the original file to begin with and therefore intended.mcgod wrote:Naw, it's just an unavoidable byproduct that comes from using halftones to try to simulate a full color photo.. and why folks warned about digital image vs. actual print.gonzo303 wrote:ya there more i look at it, i think its supposed to have that grainy look to it!
D&L can only work with the files they're sent... some artists are just more skilled at breaking down imagery into well-defined separations for printing (see: anything Dan MacAdam aka Crosshair has done)
Nope.. you're confused.IggyD wrote:Will if it is only the separations that is giving this appearance, D&L does that for you if you cannot do them yourself. That would have to mean it was the original file to begin with and therefore intended.mcgod wrote:Naw, it's just an unavoidable byproduct that comes from using halftones to try to simulate a full color photo.. and why folks warned about digital image vs. actual print.gonzo303 wrote:ya there more i look at it, i think its supposed to have that grainy look to it!
D&L can only work with the files they're sent... some artists are just more skilled at breaking down imagery into well-defined separations for printing (see: anything Dan MacAdam aka Crosshair has done)
I agree about the cost involve as they charge $50/hour but I am not confuse. You are basically saying what I stated. That the print is as intended.mcgod wrote:Nope.. you're confused.IggyD wrote:Will if it is only the separations that is giving this appearance, D&L does that for you if you cannot do them yourself. That would have to mean it was the original file to begin with and therefore intended.mcgod wrote:Naw, it's just an unavoidable byproduct that comes from using halftones to try to simulate a full color photo.. and why folks warned about digital image vs. actual print.gonzo303 wrote:ya there more i look at it, i think its supposed to have that grainy look to it!
D&L can only work with the files they're sent... some artists are just more skilled at breaking down imagery into well-defined separations for printing (see: anything Dan MacAdam aka Crosshair has done)
The artist decides how the final image will print by how it's designed, you sep it yourself or let the printer do it.. I've used plenty of 'em in the past. It would cost much more to pay D&L to break it out/print it in the amount of colors you'd need to accurately represent the full-color photo, and that's why you end up using so many halftones... they're easier and cheaper, but they look shitty (imo). An artist like Crosshair knows how to break his digital photos down into just a few colors that will accurately represent the final imagery in a screenprint, and that's a skill Brabant doesn't have... if he did, he would do it imo.
This is all about the ability of the artist to think ahead and design for a particular medium so it accurately represents the final imagery in a screenprint... some artists know how to break full color stuff down (ie digital photos) so they look good when screened, some artists aren't and just halftone everything.
Not really. We're both making assumptions as to his intentions of course, but I find it hard to believe that an artist that's gotten a lot of flak for halftoning would deliberately use it unless that's all he could do due to cost etc.IggyD wrote:I agree about the cost involve as they charge $50/hour but I am not confuse. You are basically saying what I stated. That the print is as intended.mcgod wrote:Nope.. you're confused.IggyD wrote:Will if it is only the separations that is giving this appearance, D&L does that for you if you cannot do them yourself. That would have to mean it was the original file to begin with and therefore intended.mcgod wrote:ya there more i look at it, i think its supposed to have that grainy look to it!
Naw, it's just an unavoidable byproduct that comes from using halftones to try to simulate a full color photo.. and why folks warned about digital image vs. actual print.
D&L can only work with the files they're sent... some artists are just more skilled at breaking down imagery into well-defined separations for printing (see: anything Dan MacAdam aka Crosshair has done)
The artist decides how the final image will print by how it's designed, you sep it yourself or let the printer do it.. I've used plenty of 'em in the past. It would cost much more to pay D&L to break it out/print it in the amount of colors you'd need to accurately represent the full-color photo, and that's why you end up using so many halftones... they're easier and cheaper, but they look shitty (imo). An artist like Crosshair knows how to break his digital photos down into just a few colors that will accurately represent the final imagery in a screenprint, and that's a skill Brabant doesn't have... if he did, he would do it imo.
This is all about the ability of the artist to think ahead and design for a particular medium so it accurately represents the final imagery in a screenprint... some artists know how to break full color stuff down (ie digital photos) so they look good when screened, some artists aren't and just halftone everything.
I have been in deep thought on this and believe it's intentional due to the degree of half-toning, the inspiration of the print and to give the print a washed out, aged feel.IggyD wrote:So you are agreeing with me and saying it was intended or no?
IggyD wrote:So you are agreeing with me and saying it was intended or no?
I suppose you could argue that it's intended based on the fact he made a choice during production, but my argument is an artistic one. He showcases the digital images, then (imo) has to compromise those images in order to screenprint them-- I'm just not a fan of that method, but like we've said it's cheaper and quicker. IMO if it was intended throughout the design process, he'd showcase the halftoned images, not photoshop comps.mcgod wrote:that's not a deliberate artistic choice imo, it's dictated by his limitations as a production artist.